MEET THE FRINGE CRITICS: Opinion and perspective needed

The army of Fringe theatre critics – more than 65 in all – have by now seen and reviewed just about all of the 215 plays at Village of the Fringed. Each review comes with a star rating to aid the bewildered theatrical consumer in making the difficult choice of what to see on the […]

FRINGE HOLDOVERS: The people, and the critics, have spoken

Want to see that great Fringe play that got five stars in all the papers, but found it’s all SOLD OUT? They hate it when that happens – which is why we have the annual Fringe Holdovers, the Fringe After the Fringe, starting next week at the Westbury Theatre (Venue 1, Arts Barns) and at […]

FRINGE EXCLUSIVE: Inside the Critics Studio

There is a secret room located deep in the bowels of the Fringe headquarters where the hopes, dreams, aspirations, talent and hard work of theatre artists are CRUSHED by the bucketful. It’s the “media room,” where Fringe theatre critics practice their art for 10 days every August. More than 65 journalists, broadcasters and bloggers are […]

REVIEW: Village of the Fringe rocks past, present and future

“It’s all backwards causality. Cyclical time. The past is the future. The present is now. The future is the past.” That’s how Rocco Hercules Somershire – the greatest rock musician in the greatest British rock band in the world – explains how The Saints of British Rock could meet Merlin the magician, who gave them […]

REVIEW: Jersey Boys a gem – superb songs with a story to match

Jersey Boys sounded like a pretty lame premise for a hit Broadway musical. I mean, c’mon, the Four Seasons? Can you base an entire show on “Walk Like a Man”? As it turns out, you can. The story of four Guidos whose rose from the streets (literally — they started singing on street corners) to […]

FRINGE OF THE PICKS: Locals expected to rise to the top

According to a highly scientific study tracking the statistical average quality of Fringe plays over the last 20 years or so, a full sixty per cent of Fringe plays are now at the level of “not bad,” up significantly from past ratings of “OK.” It’s what you say to a friend asking about that play […]

FRINGE CITY: The Return of the Borg

It’s always nice when an ex-Edmontonian comes back to visit. Break out the good bong. And show your love for Wes Borg when he returns to this year’s Edmonton International Fringe Theatre Festival – running Aug. 16-26 at innumerable theatres around town – the first time since his friend and partner Joe Bird died suddenly […]

REVIEW: Cirque du Soleil’s Quidam defies the laws of physics

You can really summarize any Cirque du Soleil show by calling it an amped-up adult circus, a collection of incredible and joyous athletic feats punctuated by complete lunacy. Quidam, which runs through Sunday at Rexall Place, is no different. The stunts that are performed leave you spellbound, and then they usually crank it up a […]

PREVIEW REVIEW: Fringe plays get one minute of fame

Imagine you’re a big time movie director alone on an elevator with a mime for one minute. Better yet, imagine you’re a big time movie director stuck in an elevator with a horde of actors, comics, dancers, singers, musicians and don’t forget mimes, each of whom have an amazing story pitch. You will be rescued […]

Street Fest costs money – what good festival doesn’t?

The health of a good festival, like any good tourist attraction, can be measured on how fast it sucks the money out of your wallet – and it looks like the Edmonton International Street Performers Festival is in the pink. This is not a complaint. It’s a compliment. This venerable busker’s fest has long been […]

What’s in a name? Edmonton doesn’t have a clue

Edmonton can’t be the only city that has such a boneheaded habit of badly naming and then constantly renaming its festivals, buildings and streets. On July 10, organizers of the Capital Ex festival released the six choices to replace the name Capital Ex, which had in turn had replaced Klondike Days. They are: – EdFest […]

REVIEW: Julius Caesar an old story full of surprises

In the program for Julius Caesar, now playing at the Freewill Shakespeare Festival in Hawrelak Park, director John Kirkpatrick is quoted, “I have decided to set the play in a world/time period of my own imagination…” It’s a pragmatic and serviceable idea given William Shakespeare’s constant – and anachronistic – references to “clocks,” something which […]